Today’s media industry gobbles and commercialises everything. Pushed to excess in the commercial world, image has become the emblem of falseness and fabrication.

 

Far from that, my eye turns inward in this investigation of reality, where nothing is ever superficial. There is only this listening that matters, and that is when everything is revealed.

The LIGHT  transforms our camera into an instrument. 

Each image becomes a unique moment, the manifestation of an unrepeatable vibration.

In that instant, we find NO MORE SEPARATION between now and eternity.

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We see the film and photographic process as a contemporary metaphor of the mirror . It is a“THEOPHANY” - where all the elements of this world are mirrors in which the Divine is reflected. 

The Real Being is contemplated in the mirror of creatures.

This veil has this dual direction of both preventing from seeing, and revealing. In the same way, video and photo work as “veils and unveilings.”

 

In the metaphysical domain, one can not look without a veil, because otherwise, subjected to the irradiations of the Divine Light, one is instantly burned. Similarly, if the diaphragm is opened too much, there is overexposure and the film is burnt.

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Our work becomes a representation in which the world is hidden.

At this moment, we “forget ourselves”, as we are not the ones who act.

The form flows from the internal and not the opposite.

Through the camera we explore this game of projections.

Instead of focusing on the representation, we use it as a way of to practice self-observation. 

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The mind can only divide. The sensation, on the other hand, is a direct experience of the opposites that exist simultaneously in an UNDIVIDED WHOLE.

The unthought deep experience only knows the globality where the opposites disappear.

The allegory of media making brings us back to this questioning, to this investigation. The image, the body, the identity, which are elements judged so low, are in fact no longer what prevent me, but what allow me to go further. Everything depends on HOW we observe.